Liu Haolin, Space Scenario Builder, Furnishing/Softwear Tutor, Founder of Jiugongge Art Establishment, Founder/Foundation Tutor of China Construction Philosophy Museum.
He has the national intermediate salary calendar; he is currently the director/chief expert and lecturer of the China Construction and Construction Commission's Furnishing Culture Research Center, the lecturer of the Fine Arts and Crafts Advanced Seminar of the Qinghua Academy, the guest lecturer of the Central Academy of Fine Arts, and the art curator of the Jiangxi Academy of Fine Arts (Yushan Special Training Camp). Lecturer, lecturer of the TOP Soft Packing Class of the National Federation of Industry and Commerce, and the design supervisor of the design team of Beijing International Design Week.
The first in China, “PAS2070†(product carbon footprint inspection/certification) and “Life Cycle System†as the standard, led the team to design and develop and promote the design system, and the design system was recognized and absorbed by the low-carbon environmental protection building system.
The "law" of the natural design of heaven and earth - Jiugong layout
Throughout the Chinese design world, Western design, Western aesthetics, and Western culture have had a strong impact on the Chinese design community, which has made Chinese designers blindly ignorant of imitation, plagiarism, research, and follow-up... In 2009, Mr. Liu Haolin brewed the establishment of the Jiugongge Design agency, he hopes to carry on the design road with the team to study and study the ancient and mysterious oriental "design rules" - Jiugong layout, serving the Chinese, let Chinese design, Chinese aesthetics, Chinese culture to the world!
The layout of the Nine Palaces - the design rule that people live in harmony with the environment (to create a harmonious space for physical health, mental health, and healthy relationships)
Based on the design plot of Eastern philosophy
Liu Haolin, born in Linyi City, Shandong Province, graduated from the Department of Decorative Arts of Beijing City College. Before going to college, Liu Haolin knew that "philosophy" was "three views", that is, dialectics, etc., and never deeply explored its deeper meaning. When I was a child, my father asked him: "Make sure you learn "Philosophy." At that time, he did not understand what kind of relationship between future career and philosophy would happen.
Until he met the Ph.D., Ph.D., Beijing Normal University and the founder of the Xishan (International) Art Academy in Jiangxi, he changed his views on philosophy and his views on design. When Yu Jingwei reviewed Mr. Liu Haolin’s “Designing Five Senses†topic and introduced him to the “Sixth Senseâ€, he began to think and began to ask: What is the heart? Why did Teacher Yu mention this word to him? Feel the charm of nature, use this kind of nature to bring the feelings of the mind to mobilize the whole brain cells, and use the inspiration they bring to design and apply them to life. This kind of energy field is so powerful that Mr. Liu Haolin devoted himself wholeheartedly to his perception. In his continuous study, he was pleasantly surprised to discover that the influence of philosophy on Yu’s teacher seems to resonate with his father’s jealousy. Deepened his determination to ingest research philosophy. The constant sentiment of the mind makes him have a qualitative leap and sublimation in design thinking. Looking through philosophy, let Liu Haolin establish a correct outlook on life, values, and constantly update his worldview in the process of studying Eastern and Western philosophy.
Mr. Liu Haolin constantly discovers and uses the philosophical ideas of heaven, earth and people to guide the process of being a person and doing things, practicing and repairing, discovering and learning to mobilize the inner strength and the natural energy. In the view of Mr. Liu Haolin, designers should be keenly aware of life, and use nature's mind to discover the beauty of nature, in order to make emotional space design, that is, learn to call "inner strength and natural energy." Every time Mr. Liu Haolin teaches the class, he will share this sentence. He emphasizes that designers must work hard to improve their self-cultivation. Repair - one layer means repairing, practicing. The other layer means doing things and walking thousands of miles. The mind part is intrinsic and the behavior part is external.
Mr. Liu Haolin’s design philosophy has always followed the principles of understanding space and the role of architecture. Lifestyle can be borderless, but the design of the spiritual level must be Eastern. For example, the design system and functional furnishings follow the human lifestyle and spatial role, but art, painting, and bonsai are only Chinese elements that Chinese can understand. Tasteful. "Chinese design should also be endowed with the soul of philosophical culture, which is the most basic consciousness that design should have." Every time Mr. Liu Haolin discusses the design trends of the Chinese construction industry with the leaders of relevant national ministries and commissions, he always mentions this.
Mr. Liu Haolin and the Museum of Philosophy
Building Philosophy: Philosophical Thinking of Practitioners in the Field of Pan-Architectural Design
In 1929, Zhu Qizhen, Liang Sicheng and others founded the China Construction Society, engaged in the investigation, research and mapping of ancient buildings, as well as the collection, collation and research of literature materials, and edited and published the "China Construction Society Journal", which ceased activities in 1946. The creation of a philosophy society has made significant contributions to the study of ancient Chinese architectural history, and laid the foundation for the establishment of Tsinghua School of Architecture in Qinghua by the predecessors. This history has deeply infected Mr. Liu Haolin, and thus has the original idea of ​​“building a philosophy hallâ€.
The creation of a philosophy society has not been better continuated for some historical reasons. At the same time, Mr. Liu Haolin believes that “the current design industry needs some guidance on the ideological and spiritual levelâ€, so the “Building Philosophy Hall†came into being in his mind.
The cultural soul of Chinese architecture is gradually disappearing. This disappearance is, in a sense, the depression of the entire social spiritual level. Mr. Liu Haolin feels that if he can continue the spiritual guidance, he will build a philosophy hall as a platform for the exchange of ideas and wisdom with the cultural connotation value, a place to be alert and promoted, and let more experts and scholars collide in this place. The inheritance and development of Chinese architectural culture will be another scene. Thus, the creation of the Philosophy Museum was born after a year of preparations under careful planning and design. Today, the creation of the Philosophy Museum is not only a cause of energy invested by Mr. Liu Haolin, but also a platform for the Chinese architectural design community to integrate ideas with culture and art.
Suzhou Home Network editorial report, the article comes from the Internet.
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